DRIFTERS’ VOICES – FOR PARK KYONG-JU’S <26 DAY ARCHEOLOGY> , Park Su-Jin (Independent curator)
A salad bowl where the experiences of the parties are mixed and harmonized
Theater Salad CEO Park Kyong Ju
Men who have suffered from international marriages go on the theater stage
THEATER SALAD’S ‘YEOSU_BEGINNING MIDDLE AND THE END’, Jang Byung-Wook ( Journalist )
A STUDY ON VIDEO ART AS AN ALTENIATIVE ART MOVEMENT, Yun Donghee (Indepentent Curator)
PSYCHOLOGICAL MAP OF MIGRATION, SHIN HYUNJIN (INDEPENDENT CURATOR)
AN ARTIVIST FOR MIGRANT LABOR, PARK KYONG JU, GIM JUN-GI (INDEPENDENT CURATOR)
[The story of the parties to the GongGam lawsuit] Hope blooms between ironworks
The core of multiculturalism is cultural diversity
Park Kyong Ju, CEO of Salad, a multicultural theater company
Park Kyong Ju, CEO of Korea’s first multicultural theater company
The history of the miners dispatched to Germany is currently in progress
Artist of ‘Lan’s Diary Update’ Park Kyong Ju Playwright and director digs into the issue of migrants
I want to rebel against the false happy lies propaganda about multiculturalism
Working with migrants is an aesthetic challenge for me.
Changwon Sculpture Biennale Participating Artist Park Kyong Ju Interview
A ‘social theater’ that speaks of multiculturalism through art
Multicultural families turn unfamiliarity into empathy… Let’s embrace our arms wide
Korean media has prejudice against migrant workers
Women are at the center of migration
‘Strangers’, let’s play together
Book Review_ To find another boundary
PARK KYONG JU 